Visit; The Louvre Museum – Paris

Louvre visit

I have always wanted to visit the Louvre. It seemed like an odd dream—one that was too far away to reach. But who is God? I got the opportunity to be in France recently.

After running the day’s errands, I proceeded to look for the infamous Louvre. I used the CityMapper App (recommended by my friend, Bertyl), which gives point-to-point directions and the best way to reach your destination. Whether you want to use the Subway, walk, use the bus, bike.. whichever form of transportation, it will show you the fastest and most efficient way to get there.

Walking was a lie…

I opted for the subway, and within minutes I was at the Museum’s stop. The train stopped next to the entrance, which was perfect.

The next part was somewhat likened to a daydream. I was giddy with excitement as the building unraveled as I approached it from the entrance. The middle pyramid looked exactly as it was depicted in movies. I was ecstatic. I did not know where to start, so I just wandered around the main court for a while before getting a bearing.

I got some water as I knew the lines to get inside would be long( we were told it would take 3 hours, but it was more like an hour). Luckily, the weather was not too hot, and there were places to sit as you waited. I also carried a book to while the time away.

My excitement made the hour pass very fast. Once inside the main pyramid, I headed to the cafe and got lunch. A sandwich and a soda. I then proceeded to the France sculptures and art section. I knew beforehand that I would not be able to traverse the entirety of the museum. So, my strategy was to visit the museum on different days and see section after section.

This proved futile as the sections were very dense with artwork, and I was soon overwhelmed. Everything looked so fine and polished. It was like walking into the minds of art masters. Seeing what each piece of art looks like in its purest form. The details in the sculptures were awesome. The anatomy was fashioned so well that you could feel as if the sculpture was real and the subject was right there with you, striking a pose. The emotions and the tension were moving. But I had to keep moving if I was to make much ground that day.

I proceeded on to the Napoleon III apartment display(?) Where they showcased the larger-than-life rooms that depicted how the once mighty ruler of Europe lived. The walls were ornate with beautifully carved frames, adorned with magnificent paintings, and elegant, massive chandeliers that hung from the high ceilings. I think the rooms or salons were designed to give that feeling of awe and power, making the viewer feel how small they were. There was a lot of opulence…a lot, which did not make sense. Like why? But maybe it was important to the owner.

I then moved swiftly to the painting sections where I gleamed at every painting. They were intricate brush details and spectacular depictions of landscapes, portraits, and religious scenes. The variety of styles was also inspiring. It was overwhelmingly uplifting. I had come across some images online of the paintings but beholding them right there an infant of me was amazing. 

I felt a surge of inspiration to push my own craft to the higher levels possible because if they could do this in the 1500s what can we do now with all the technology we have? Look for mastery in whatever I do. Laziness all of a sudden became a foe and practice became a target for a way of life in the next stage of my career. I then moved, more like floating through the rooms admiring and gazing at the paintings; small and enormous until I was tired both mentally and physically and couldn’t walk anymore.

With the strength left, I searched for the next exit and left the section. I had only covered about 1/4 of the museum. I shall be back soon, I told myself, as I moved towards the subway to head home. It was a good day!

Next-Gen Editorial cartoonists workshop review

Workshopping ideas for cartoons – Image credit Samora Kimani / Kymsnet media network

Happy new week! It has been a while since I posted here. I am alright and hope you are too!

I participated in a 3 day workshop on creating Editorial cartoons from Wednesday 18th to Friday 20th at Ufungamano house, Nairobi organised by Msanii Kimani wa Wanjiru of Kims Media Network. It was a collection of new cartoonists from several Kenyan counties to gain training and mentoring on cartooning. 

It started off with a lecture on the constitution and history of it and how it relates to editorial cartoons and journalism as a whole from Zain Abubakar. The main take-home was to build your imagination by un-earning and re-learning.

~ Zain lecturing the workshop attendees,  Image credit Samora Kimani / Kymsnet media network ~

One of the mentors was Mbugua Ngunjiri who took us through the workings of a newsroom. and what it takes to get a news item to a full article. It is a fast paced world that relies on teamwork, reliability and consistency. We also talked about how print media is transitioning to digital media and the new opportunities for cartoonist blossoming in that area. 

Our cartoonist mentor was James Kamawira or Kham whose notable works include the comics strips of Babu and Bongoman (which is the longest running comic strip in Africa). This was quite an experience as I looked up to him since I was young and have always wanted to meet and interact with him and ask a gazillion of questions. Having been able to do that was amazing.

I always loved the cartoons on the editorial page in the newspaper and have wanted to know how one does such cartoons. Cartoons that impact the society and spark new ideas or conversations in the society. I got to learn that editorial cartoons are art with a commentary on what is going on in the society.

On Wednesday evening, we got to visit a gallery of editorial cartoons curated by Buni Media at the Alliance Française Nairobi. The work was from various artists worldwide and what fascinated me was the fact that images can speak a thousand words and that you can even have cartoons that do not have any words, but yet they are universally understood.

Some pointers I learnt from the workshop;

  1. Editorial cartooning is story-telling with a twist, telling a valid story without necessarily saying it. It has to be understandable, very current and topical (something people are talking about). News is also perishable so a challenge is to create art that can be used in different times and still maintain relevance.
  2. You have to do a lot of unlearning and a lot of new learning… and be a ferocious reader, this will aid in expanding our imagination as well as help us figure out the best way to convey ideas that are easily understandable. 
  3. Learn to decode the inner meanings of what is happening around you, internalise then show what you decode to others through your cartoons. Be open to criticsm and listen to people – before publishing, pass your work to other people (like a brain-trust).
  4. Self-censorship is key, in as much as there is freedom of expression, you need to have an understanding of what are the extremes.
  5. The platform is to be a voice of the people and for the people. People here meaning your social sphere and area of influence. We also learnt the importance of the constitution and what it means as well as its history.
  6. You can be a committed artist – committed to a cause or change and have a social drive to contribute and make it better. To transition to this, you have to understand your context, history, circumstance and your future (by imagining it)
  7. Deep insight process: observation – analysis – deep reflection – then create art based in this.

Image 1 – Kham looks on a presentation by Quotmie as Chela Yego looks on.

Image 2 – William Abiha working on his art piece for the day.

Image 3 – Chela Yego being given feedback by Kham on her art piece.

Image 4 – Dennis Wakoli showcasing his art piece for review to the team.

Image 5 – Reviewing and giving each other feedback on the editorial cartoons assignment. Artists include Dennis Wakoli and William Abiha.

Image 6 – Benta , Tony and Terry Ogake gaining insight during one of the sessions.

Image 7 – Kelvin Shani posing with James Kamawira (Kham).

Photo credits ~ Samora Kimani

All in all it was a great experience and I look forward to implement the new knowledge on my art. Thanks for reading till the end. Have an amazing week!

Here are the three complete editorial cartoons I worked on during the workshop.

Have a great week and if you liked this post, share widely!


About the author,

Kelvin Shani is an illustrator and animator based in Nairobi, Kenya. He is the Founder & Creative Director of SirNare Animation Studios, a team of storytellers and communication experts hellbent on influencing the world for the good through bringing revolutionary ideas to life. SirNare works with visionaries from all walks of life including intergovernmental agencies, non-governmental organizations (NGOs), commercial enterprises- large and small, and the public sector. He also has a passion for teaching and mentoring artists.

In his spare time, Kelvin loves watching movies, listening to music as well as travelling & exploring new spaces. He lives to inspire the world through words and pictures and by contributing a positive and authentic African experience to the universal library. 

October Sketches

It’s been a minute since I posted here. I was amused that I remembered the password 😀 Life happens. You go with the flow and adapt as you go. I have been sketching a lot lately. Mostly figure drawing and faces – so many faces in an attempt to get better at drawing the human form

It slowly pays off when you are consistent. A 30-minute sketch sprint daily can do wonders. There are times I forget what got me there but when you retrace the steps it makes sense.

Below are a mix of sketches. studies and notes from courses I am taking like the “how to draw anatomy” by Aaron Blaise as well as Pinterest pins on poses that I find challenging. Bodies in motion and Senshi stock is also a good resource as it has timed poses that force you to capture the essence/gesture of a pose and not to get to carried away by details. I hope this inspires you to pick a pencil and doodle away, don’t think too much of it and as the pencil wanders on the page, let your mind unwind.

Happy new month!